The Bleepography returns after a short Easter break, with Matt Anniss focusing on the record that brought the world Warp Records, Forgemasters’ superb ‘Track With No Name’
In today’s edition of the ongoing Bleepography series, Matt Anniss looks at the wider influence of Bleep & Bass on British dance music and in particular Orbital’s often-overlooked take on the style, ‘Omen’
In our latest Bleepography article, Matt Anniss discusses the creation, influence and impact of Unique 3’s ‘The Theme’, the track that forged the Bleep & Bass blueprint…with the emphasis on “bass” When it comes to chronicling the story of how a sound and scene develops, it can often be the little moments that end up … Continue reading BLEEPOGRAPHY: 16 – UNIQUE 3 ‘THE THEME’
In our latest Bleepography entry, Matt Anniss profiles the debut single from Infamix, the East London techno twosome who would later become B12.
In today’s Bleepography entry, Matt Anniss tries to answer a question posed to him by a number of readers: was Krush’s ‘Jack’s Back’ the first ‘proto-Bleep’ tune?
Today’s Bleepography article takes us to London and the studios of Production House Records, where engineer/producer Floyd Dyce cooked up DMS’s surprisingly authentic Bleep & Bass stomper ‘Brand New World’ The sonic vibrations created by the earliest, Yorkshire-made Bleep & Bass records were felt far afield, from the dancefloors of the East and West Midlands, … Continue reading BLEEPOGRAPHY: 13 – DMS ‘BRAND NEW WORLD’